2019-12-24

December Roundup

Another month nearly escapes me without a post. It hasn't been the most productive month from a game design point of view, but I did manage to get some stuff done.

Right at the end of November was the Dragonmeet convention in London, which I have attended for the last few years as part of the PlaytestUK team. We run an area for game designers to get their prototypes played by regular convention goers rather than the usual PlaytestUK meetups which are mostly designers playing each other's games.  I spent the first few hours helping to staff the area, which largely involves inviting passing gamers to join a game. This is usually a bit hard going at the start of the day, but as time passes you get more people just turning up looking for something to play.

I had a slot for playtesting myself in the afternoon, and introduced Tom Coldron's game Elvic to two different groups.  Things went very well overall, with players being well engaged, but a few issues were raised, largely relating to balance between certain options (some cards are perceived as strictly  better or worse than others), which need to be at least considered.  I've now sent the current play set back to Tom with some notes about how things have been going, so we'll see what he thinks.

Elvic at Dragonmeet.

Other than that, I got discussing a game idea with another of the designers there who was also volunteering at the same time as me. He had an idea about making a game that is largely about tactility and recognising items by the sense of touch alone, and our discussions moved towards a development of this. We've both been tinkering with this idea since, and have been communicating, and a basic version of a game is starting to form. Hopefully we'll be able to get together some time soon (we don't live too far apart) to see if we can develop things more in person.

Other than that it has been Scurvy Crew. I've not had playtesting opportunities on this, but I have worked a lot of ideas from discussions with BrainCrack into a new version of the prototype.  The basic gameplay is not changing significantly, but we are working on the campaign mode, which allows you to play a series of games (we're planning 7, to match the 7 seas and all that) with development of threats and opportunities as you work through it.  Plus, with the game being a relatively short one, the aim is to make it so that you can binge your way through the campaign in a day (maybe even an afternoon) should you wish. Anyway, I think the first official announcements about the game are likely to happen in the next couple of months, so we'll see how things go...

Anyway, I think this will be about it from me for the year.  I hope you have a good Christmas or whatever else you might celebrate at this time of year. Back soon... :)

2019-11-29

Remember remember the rest of November

I seem to have slumped to a monthly blog posting schedule here, which is not exactly ideal, but is better than nothing, I guess.  With the nights drawing in I've been finding myself a bit tired and sluggish on many fronts, but I've not been completely off the game design path.  Most of my efforts over the last month have been working on one of three projects which are at very different stages.

Explore and Settle

This is an old design that I alluded to in last month's post, and one that has a pretty misleading name. It's what you could describe as a "3X" game (explore, expand, exploit, but not exterminate), and it is based on cards that overlap to form a grid of squares, but the additional "tab" of the card (the bit beyond the square) has a game effect until it is covered over, as well as providing uses when played from hand. The core mechanism is pretty fine, and gets a bit brain-burny (more than anything else I have designed), but overall the game is just not compelling, so I need to find an "angle" to use, and it may require a major redesign. 
At least it's prettier than it used to be.

This was the game that I took to this month's London playtesting meetup, as well as coming out for another game designer meetup I was at, and I got some interesting feedback, but I'm struggling to figure out how best to move forward.

Scurvy Crew

I'm still in a development phase here, working on building the campaign mode of the game. We have some really interesting ideas bouncing around for how we can carry threads on from game to game. There'll be missions and changing threats and opportunities through the campaign, but things aren't locked down enough for me to be able to talk about them much at the moment.

Elvic

This is the game designed by Tom Coldron that I've been doing some experimental development on. It's a fast-playing game (usually takes about 15 minutes), so we usually get to have at least a couple of plays in a row, often trying a small rules tweak in between to compare and contrast.  Small and quick games are so much easier to playtest. :)

I think I'm getting to the end of a development arc with this game though, so I have one last round of playtesting coming up (see below) and then, unless that opens up some new avenues that I want to explore, I think I'll probably send it back to Tom and see what the original designer thinks of the ways I have destroyed his original idea!

Dragonmeet

It's that time of year. As I write this, I'm avoiding getting ready for Dragonmeet, which is on tomorrow in London (Hammersmith, actually), though actually I've got most of what I need to do done.  I'll me spending most of the day at the Playest UK stand -- volunteering there until 2pm, after which I'll have a couple of hours playtesting the latest version (of mine) of Elvic.  If you are there (if you are in the area and want something to do, why not come along?), please swing by and say hello.

2019-10-28

Recent Weeks

I definitely seem to have fallen off the blogging bicycle recently, but I have been chugging along with game design work over the last few weeks, even if I've not been charging forwards. So, just to get things going again, here are some of the things I got up to...

I had a really good playtesting and development session with Dave and Robin, other game designers who I meet up with most months. We've missed a couple of months for assorted reasons, but this got us back into the swing of things again and I was able to run tests of a couple of my projects as well as some of theirs.
Familiar cards, unfamiliar table, but with ships from Seafall (I think!)
Another really useful session was a trip to meet with Lewis from Braincrack Games to work on Scurvy Crew, face-to-face. This was the first time we had actually been able to play the game together, and it resulted in some great ideas bouncing around and some interesting plans made. I can't say too much right now as a lot is up in the air, but the plan is to provide the game with a campaign mode where you get to play a series of games, building your crew and improving your ship as well as meeting new challenges as you go along.

The monthly playtesting session in London happened last week and once again I took Elvic, Tom Coldron's game, where we had a couple of plays with a small tweak (a card being face-up instead of face-down, thus giving more information to players) between plays.  This game is so fast that playtest groups are often happy to do this, which makes iteration quicker than I am used to for other games. A lesson here, perhaps?

Other than that, I have been rummaging through my archives, and pulled an old project from 2016 back onto the table to see what I can do with it.  I've found a little inspiration here, so rather than discussing that right now, I'll post something more detailed about it shortly...

2019-09-25

Something old, something new, something borrowed

This has been a bit of a tricky post to write. Trying to get the balance right in a couple of ways. I'm not sure I've succeeded. You judge.

So a couple of weeks or so ago I received a proposal from a friend and fellow game designer, Tom Coldron, who had a game that he had got working but wanted someone else to spend some time looking at it, and was wondering if I would be interested in this, and in exchange he would do the same for one of my games.  This sounded like a great idea to me, so I sent Tom the files for Boogie Knights (which works, but isn't really satisfactory), and he sent me a game called Elvic.

Elvic is a small game designed to fit in a mint tin, and is what I would describe as an area control game with action selection.  Slightly less jargony: each round players have access to a card which gives them a couple of options, and they select the way they use that card to put tokens onto cards representing regions in the kingdom, then you score points at the end of the game according to whether or not they have the most tokens in each region.

Mid-game for our first play at the Jugged Hare.
I got to try the game out with one of my local groups, and found that we liked the game in general but were frustrated by one particular aspect, and we experimented with tweaks to this in a second play. These changes didn't really do what I wanted it to, but at least gave some ideas for me to work with, largely due to some great suggestions from the playtesters.

This is the bit I've been having trouble with as I don't want to put down Tom's work at all (he's made -- aside from that issue -- a cracking game that I enjoyed playing and that I wouldn't have made myself) or say that I have solved his problem, or even that the issue we saw was one that existed for any other group.  I've been finding it really interesting to explore someone else's design and tweak it to see if it suits me (and my playtesters) a little more.

Anyway, a few days later, and with a slightly modified game, it was a day for a trip to London for playtesting, so for the first time I went along bearing somebody else's game. We had a four-player game that took the lower end of what I was expecting the play time to be, and my colleagues kindly agreed to have another play straight away. 

There was actually relatively little feedback articulated at the end, just a few relatively minor points, and play involved some furrowed brows and growling at a number of the decisions.  Normally it's good to have a decent discussion about the game, but I'd picked up plenty of information through play, and we wanted to move on to allow another designer to test their game after I had been hogging table time.  In both plays of Elvic, over the last couple of rounds there was a certain amount of counting up potential scores in order to optimise moves, which didn't take long, and suited the headspace the players were in, but might be a negative for some players. I think this is largely just a feature of this style of game, trying to optimise your endgame to eke out those last few victory points.

Overall this was a really encouraging session and suggested that the game might be moving in the right direction (it was pretty close beforehand) but I want to see a few more playtests, with assorted player counts (I've not yet tried it with two players) and levels of gaming experience (remember that this day's testers were all game designers) before I hand it back to Tom to see what he makes of my suggested changes. Thanks for the opportunity, Tom!

I'm also really looking forward to see what he thinks of for Boogie Knights, as and when.


2019-08-24

Jugged Teeth

The very first 24 Hour Contest design I made was a game called Tooth Fairies, back in early 2015. It is a game where players are tooth fairies, exchanging coins for children's teeth, which are collected into sets to be presented to the fairy king and queen, who give out rewards to their loyal subjects. Mechanically you are picking up cards from a row of available teeth (though some are rotten, and some are just useless lumps of chewed gum) and when you have a set that matches one of the "missions" from the king or queen, you collect a reward from them. The game is aimed at being a quick, family friendly game.

Anyway, I was recently looking through my old projects and was inspired to get this one out and take a look at it.  The game seemed at least OK, so I gave it a once-over to pad out some elements and smooth some others, built a fresh prototype, and took it along to this month's London weekend playtest meetup.



The game flowed OK overall, but the way the row of available tooth cards functioned meant that it needed constant sliding of cards, a maintenance task that went smoothly enough as one player was automatically handling it most of the time, but one that made for a grinding feeling that should really be got rid of.  The set up I used meant that the game would have been far too long if we hadn't removed half of the mission cards, and the players complained about the balance of the demands of the missions and the rewards for them.

As regular readers may know, I tend to not worry about game balance until I have a game that flows pretty well, so I'm not worried about these comments at the moment, other than that if players are fixating on a balance issue it means that there probably isn't enough in the game to make up for these perceived problems.

Overall, the structure of the game was reminiscent of another, and sufficiently so that my players couldn't help but saying that the game felt like a sub-standard Century: Spice Road. I can see where they are coming from on that.  I think that, while the game is very much not a lightweight engine builder like Century, the comparison is inevitable as things stand, so I need to address that. 

Structurally, I think the problem is that my row of tooth cards invites the unfavourable comparison and causes the constant, small upkeep tasks, so I need to find some way for players to collect teeth, which must also, for thematic reasons, involve paying coins for those teeth.  I'll be sleeping on this some more, but I think that there will probably be some system along the lines of periodically flopping a selection of tooth cards and coming up with a system for players to claim them.  Work to do...

2019-08-21

More than a score at DevCon 4

On Saturday I attended the fourth mini-conference known  as BG Dev Con, hosted in Enfield (those of us not from London regard it as part of London, about which I gather we are incorrect!) by Bez Shahriari and Andy Yangou. I missed last year's event, but attended the first two and had a great time at both.  The key to this event is that, while it is a gathering comprising mostly game designers (from unpublished rookies to grizzled veterans with many published titles), with a few other folk with compatible interests, there is no playtesting allowed. The day is focused on talking and sharing experience.


About 2/3 of the attendees. Thanks to Dave Wetherall (of the Guild of Good Games) for the pic.
For me, the heart of the event is that everyone is encouraged to get up and speak, if only to introduce themselves for two minutes, and most of the rest of the day is shortish talks (many only around 10 minutes) on a huge variety of subjects, not all of which are obvious at first. This year we had a couple of different perspectives on art, a talk about using games in language teaching, another on the mechanics of parcel delivery services, some thoughts on the design of freeform LARPs, and a comparison of game design with the scientific method.

There were planned sessions of speed designing/concepting and some parallel discussions, but these didn't occur as the group was relatively small (I made it 24 of us) and everyone wanted to stick together rather than split the party. This resulted in some of the planned longer talks being sped up so that they could be fitted in, meaning that we lost a little detail, but the day kept up its high tempo.

Of course, this frantic pace gets very tiring, but there were several breaks of about 15 minutes (as well as the hour-ish for lunch) giving everyone a chance to grab refreshments, take their ease, and chat about the matters discussed so far.  This seemed to work very well.

So, overall an exhausting day with a lot to think about and a great opportunity to get to know a group of reasonably-like-minded people a load better -- and make some new friends along the way.  There is another run of the meet planned for mid-August next year (dates to be confirmed), but I'll be along again if I am able.  Thanks to everyone involved for a great day.

2019-08-07

Developing Scurvy

Having signed Scurvy Crew to be published is far from being the end of the story from my point of view.  Different publishers work in different ways when it comes to developing games for publication, and the deal I have here is that I work with the Brain Crack Games to tweak the game into a form they are happier with before they finally hit the Big Red Button to make the game (with the help of a Kickstarter project).  I say "happier" because they were clearly keen enough on the game to sign it, but there are improvements that can turn the game into the actual product they want to ship. This is normal.

I'm not going to go into great detail about what we are doing yet, as a lot is in flux and it's not appropriate for me to be shouting about things that as yet may or may not be in the game, but we have been discussing a few tweaks and I have been trying out some of them with my playtest groups.
The prototype is still looking pretty scruffy, but there are plans forming to make something really nice.
The main intent is to add some more variability into the game, with more variety of merchant ships that can be captured as prizes as well as other things that can be found while hunting for booty, and a new mechanism allowing pirates to gain upgrades to give them additional capabilities.  It is interesting that I spent most of the six months leading up to successfully pitching the game pulling mechanics out and generally simplifying, but now we are adding a little complexity back in. Only a little, mind you, and all the new stuff is modular, so can actually be ignored safely for a lighter game.

This is the first time I have been through a process like this, with me doing development under the guidance of a third party, and I'm enjoying it so far, even though it is pulling my attention away from some other projects I would like to concentrate on.  Still, there is an end to the process, probably in a few more months or so, after which it will be mostly out of my hands and I'm really looking forward to seeing how the box ends up.

A small aside to finish off with: last week I received my Kickstarter copy of Ragusa, the new game by Fabio Lopiano (designer of the excellent Calimala), from Brain Crack Games. They've done a cracking job of making a great game (if you like mid-weight Euro games, watch out for more games from Fabio in the next few years -- he's very good at them) into a beautiful product, so I'm even happier working with them for one of my games.